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La Sonora Matancera en CMQ 1957 - La Sonora Trae un Tono

Posted By : Ibiza | Date : 13 Jul 2007 21:07 | Comments : 1

La Sonora Matancera en CMQ 1957 - La Sonora Trae un Tono
Cuba | mp3 320 Kbps | 93 MB
Tumbao Cuban Classics 1999

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Julie London - Lonely Girl - Make Love To Me

Posted By : sylvestre | Date : 13 Jul 2007 18:03 | Comments : 3

Julie London - Lonely Girl - Make Love To Me
Jazz singer | mp3 320 Kbps | 135 MB
Capitol Records 2002

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Various Artists - Gran Concerto Jazz vol 1 & 2 of 4

Posted By : apache | Date : 13 Jul 2007 17:14 | Comments : 6

Gran Concerto Jazz - vol.1 & vol.2 of 4
Jazz | Verve 2004 | lossless APE & scans | 323Mb & 222Mb + 3% recovery record

A great compilation made by Verve Music Group. Good for jazz beginners and people who want quick highlights of greatest performances in jazz history

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Tony Vega - La Salsa Es

Posted By : Ibiza | Date : 13 Jul 2007 10:00 | Comments : 2

Tony Vega - La Salsa Es
Salsa | mp3 320 Kbps | 114 MB
RMM Records 1998

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Carl Orff - Carmina Burana - Simon Rattle - Berliner Philharmoniker DVDRip

Posted By : apache | Date : 11 Jul 2007 20:45 | Comments : 1

Carl Orff - Carmina Burana
Beethoven - Leonoren Overture No.3
Händel - Halleluja Chor
Classical / Cantata | DVD-rip AVI DivX 656x368 widescreen| Mp3 128kbps | 1.01Gb - 3% recovery rec

Simon Rattle - Berliner Philharmoniker || Berlin 2004.12.29-31 Live
Sally Matthews, Lawrence Brownlee, Cristian Gerhaher, Rundfunkchor Berlin

“

San Francisco Chronicle...
Rattle makes it a cracking good show, full of zest and flair. The overall sound is dry and crisp, which gives the performance a bustling, businesslike demeanor, and there are fine solo contributions from soprano Sally Matthews, tenor Lawrence Brownlee (duly anguished as the roasting swan) and baritone Christian Gerhaher. The choral singing is full voiced and precise.

”

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Giacinto Scelsi - Scelsi, Byzantium, The alchemists (1994)

Posted By : interzone | Date : 11 Jul 2007 17:28 | Comments : 6

Giacinto Scelsi - Scelsi, Byzantium, The alchemists (1994)
Vocal | FLAC >>> EAC (APE + CUE) | cover + info | 177 MB
Performed by Voxnova (Nicola Isherwood - bass, Julian Pike - tenor, Pascal Sausy - bariton).

“

"... Then comes the truly weird and wonderful stuff: Giacinto Scelsi's choral works. Truly 20th century, but at once completely out of time, Scelsi composed vocal music that underscored his belief that the ritual echo itself was a key to the transformation of human consciousness (much like the Hindus and the Buddhists). First up are his "Three Songs of Capricorn" -- along the complex line of Eastern, near Tuvan throat singing -- in which a mandolin is used as a percussion instrument, and Thai gongs in 'F' are employed. Much of Scelsi's program is for baritone and bass singers, but there are works (such as "Le Grande Sanctuaire I & II") for tenor. Pieces such as "CKCKCC I & II" are not choral works in any conventional sense, but they do intersect on the plane of being non-Western in approach. The less experimental works, such as "Le Grande Sanctuaire" and "Three Latin Prayers," prefigure -- and perhaps even predict -- the choral work of John Tavener. These are prayers, written mystically with their only motivation for this "inner light" to be made manifest, and again, the ritual echo of the human voice being the only instrument capable of revealing it."

Thom Jurek, All Music Guide

”

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Giacinto Scelsi - Scelsi, Byzantium, The alchemists (1994)

Posted By : interzone | Date : 11 Jul 2007 17:28 | Comments : 6

Giacinto Scelsi - Scelsi, Byzantium, The alchemists (1994)
Vocal | FLAC >>> EAC (APE + CUE) | cover + info | 177 MB
Performed by Voxnova (Nicola Isherwood - bass, Julian Pike - tenor, Pascal Sausy - bariton).

“

"... Then comes the truly weird and wonderful stuff: Giacinto Scelsi's choral works. Truly 20th century, but at once completely out of time, Scelsi composed vocal music that underscored his belief that the ritual echo itself was a key to the transformation of human consciousness (much like the Hindus and the Buddhists). First up are his "Three Songs of Capricorn" -- along the complex line of Eastern, near Tuvan throat singing -- in which a mandolin is used as a percussion instrument, and Thai gongs in 'F' are employed. Much of Scelsi's program is for baritone and bass singers, but there are works (such as "Le Grande Sanctuaire I & II") for tenor. Pieces such as "CKCKCC I & II" are not choral works in any conventional sense, but they do intersect on the plane of being non-Western in approach. The less experimental works, such as "Le Grande Sanctuaire" and "Three Latin Prayers," prefigure -- and perhaps even predict -- the choral work of John Tavener. These are prayers, written mystically with their only motivation for this "inner light" to be made manifest, and again, the ritual echo of the human voice being the only instrument capable of revealing it."

Thom Jurek, All Music Guide

”

Details

Giacinto Scelsi - Scelsi, Byzantium, The alchemists (1994)

Posted By : interzone | Date : 11 Jul 2007 17:28 | Comments : 6

Giacinto Scelsi - Scelsi, Byzantium, The alchemists (1994)
Vocal | FLAC >>> EAC (APE + CUE) | cover + info | 177 MB
Performed by Voxnova (Nicola Isherwood - bass, Julian Pike - tenor, Pascal Sausy - bariton).

“

"... Then comes the truly weird and wonderful stuff: Giacinto Scelsi's choral works. Truly 20th century, but at once completely out of time, Scelsi composed vocal music that underscored his belief that the ritual echo itself was a key to the transformation of human consciousness (much like the Hindus and the Buddhists). First up are his "Three Songs of Capricorn" -- along the complex line of Eastern, near Tuvan throat singing -- in which a mandolin is used as a percussion instrument, and Thai gongs in 'F' are employed. Much of Scelsi's program is for baritone and bass singers, but there are works (such as "Le Grande Sanctuaire I & II") for tenor. Pieces such as "CKCKCC I & II" are not choral works in any conventional sense, but they do intersect on the plane of being non-Western in approach. The less experimental works, such as "Le Grande Sanctuaire" and "Three Latin Prayers," prefigure -- and perhaps even predict -- the choral work of John Tavener. These are prayers, written mystically with their only motivation for this "inner light" to be made manifest, and again, the ritual echo of the human voice being the only instrument capable of revealing it."

Thom Jurek, All Music Guide

”

Details

New Swing Sextet - A Taste Of Spanish Harlem

Posted By : Ibiza | Date : 10 Jul 2007 23:50 | Comments : 4